Intervals.
Starting with F complete the interval. Give at least two definition of each interval (example: M6, d7).
Use tunes familiar to you to help you recognize intervals.
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up |
down |
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1. mp3 |
1. mp3 |
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2. mp3 |
2. mp3 |
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3. mp3 |
3. mp3 |
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4. mp3 |
4. mp3 |
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5. mp3 |
5. mp3 |
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6. mp3 |
6. mp3 |
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7. mp3 |
7. mp3 |
Cadences.
Match cadences – authentic, half, plagal, deceptive. There are two cadences in every level 2 progression.
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Level 1 |
Level 2 |
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1. mp3 |
1. mp3 |
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2. mp3 |
2. mp3 |
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3. mp3 |
3. mp3 |
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4. mp3 |
4. mp3 |
Melodic Dictations.
In the beginning of each dictation you will hear A (first octave). Listen to the it’s resolution. According to that resolution you will know in which key a dictation is played.
It is your responsibility to determine the time signature.
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Level 1 |
Level 2 |
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Melodic dictation # 1 mp3 |
Melodic dictation # 1 mp3 |
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Melodic dictation # 2 mp3 |
Melodic dictation # 2 mp3 |
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Melodic dictation # 3 mp3 |
Melodic dictation # 3 mp3 |
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Melodic dictation # 4 mp3 |
Melodic dictation # 4 mp3 |
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Melodic dictation # 5 mp3 |
Melodic dictation # 5 mp3 |
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Melodic dictation # 6 mp3 |
Melodic dictation # 6 mp3 |
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Melodic dictation # 7 mp3 |
Melodic dictation # 7 mp3 |
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Melodic dictation # 8 mp3 |
Melodic dictation # 8 mp3 |
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Harmonic progressions.
I . Determine the key from A (first octave).
2. Listen to the bass line and write it down.
3. Label the chords according to the chart regardless of the quality (in the chart the quality is given for Major keys).
Follow the circle clockwise:
I
IV
V7 ii7
V
The circle can be started several times in the same progression. You can skip any function in the circle except Tonic.
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Ti |
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V6 |
V65 |
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La, le |
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IV6 |
ii43 |
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Sol |
I64 |
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V |
V7 |
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Fa |
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IV |
ii65 |
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V2 |
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Mi, me |
I6 |
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Re |
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ii7 |
V64 |
V43 |
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Do |
I |
IV64 |
ii2 |
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You can skip the column(s) and you can stay in the column.
4. Complete the chords.
5. In four part writing case write the Soprano line and complete inner voices.
Double the bass in root and 64 positions. Do not double the bass in 6 position.
Keep common tones.
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Simple version |
Four part writing |
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Harmonic progression # 1 mp3 |
Harmonic progression # 1 mp3 |
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Harmonic progression # 2 mp3 |
Harmonic progression # 2 mp3 |
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Harmonic progression # 3 mp3 |
Harmonic progression # 3 mp3 |
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Harmonic progression # 4 mp3 |
Harmonic progression # 4 mp3 |
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Harmonic progression # 5 mp3 |
Harmonic progression # 5 mp3 |
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Harmonic progression # 6 mp3 |
Harmonic progression # 6 mp3 |
Triads and their inversions.
Starting with F# as a bass note complete the chord. Listen if the bass note (F#) is a root, a third, or a fifth of the chord.
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Chord #1 mp3 |
Chord #5 mp3 |
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Chord #2 mp3 |
Chord #6 mp3 |
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Chord #3 mp3 |
Chord #7 mp3 |
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Chord #4 mp3 |
Chord #8 mp3 |
Dominant 7th chord and itВ’s inversions.
Starting with E as a bass note complete the chord and its resolution. Listen if the bass note (E) is a root, a third, a fifth, or a seventh of the chord.
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Simple version |
Four part writing |
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Chord #1 mp3 |
Chord #1 mp3 |
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Chord #2 mp3 |
Chord #2 mp3 |
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Chord #3 mp3 |
Chord #3 mp3 |
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Chord #4 mp3 |
Chord #4 mp3 |
Other types of seventh chords.
Match the seventh chords: M7, m7, Mm7(Dom.7), half.dim.7, dim.7. Complete simple version of the chord starting with D as a bass note.
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Simple version |
Four part writing |
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Chord #1 mp3 |
Chord #1 mp3 |
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Chord #2 mp3 |
Chord #2 mp3 |
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Chord #3 mp3 |
Chord #3 mp3 |
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Chord #4 mp3 |
Chord #4 mp3 |
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Chord #5 mp3 |
Chord #5 mp3 |